Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . It is also a great option for those who are looking for a microphone that is durable and easy to use. Shure KSM8 vs Shure KSM9. Its priced for pro users, but the KSM8 is a beauty of a mic that ditches the all-rounder status in favour of vocal live performance and reinforcement duties. SHURE KSM9/CGShure118800! The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. But this mic is well constructed, and perfect for live performances which require that superior condenser sound. Shure Tech Portal open_in_new. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. 1.93 in. A perfect choice for precise, intimate live vocals. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. Any artist or singer who has enough money for professional gear could use KSM9. The Shure KSM9 is a great choice as a live mic. But aside from the minimal handling noise, this really is a different experience. Free Shipping. As does the KSM9, the HS employs a dual-diaphragm, prepolarized, 3/4-inch capsule . All rights reserved. But there are some differences. For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . The Sennheiser also has a slightly larger diaphragm than the Shure. But a supercardioid pattern would be better when recording a full band in a single room. Turn your old gear into new gear with the Sweetwater Gear Exchange! Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. Win a TB-03 and TR-06 from Roland. Its worth noting that the E965 is a bit cheaper than the KSM9. Traditional microphones confine the performer to a specific distance from the microphone. The Shure KSM9 is a higher-end microphone that is known for its clear sound quality. Sound Forums Network, LLC was co-founded by David Karol and Bennett Prescott to provide and preserve a home for audio professionals around the world. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. AK8C. Shure KSM9 has two modes: cardioid and supercardioid. On first listen, the two mics have a similarly clear and transparent sound. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. It also helps to minimise high-frequency handling noise. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. Exclusive deals, delivered straight to your inbox. Because more aspects of life and work are mediated through technology, we design multi-channel digital solutions that create seamless user experiences. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. Unlike with other mics, both patterns of KSM9 work flawlessly. As lead vocalist of prog metal band im in doubt between the dynamic KSM8 and the KSM9.. What would you recommend? The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. What's the problem with your 58? FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, good. They call it a three-stage grille or simply triple grille. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Mylar is a registered trademark of E.I. DuPont de Nemours and Company in the United States. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. Given the absence, until now, of dual-diaphragm technology in moving-coil mics, it wont surprise anyone to learn that constructing such a design is extremely difficult, not least because of the need to squeeze the magnetic assembly between the two diaphragms, the spacing of which is restricted by the requirements of the internal acoustic structure. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. Crucially for a live condenser, theres also a suspension shock mount. jim martin death couples massage class san diego beaver falls football shure axient combiner. So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. Theyll deliver a higher quality sound than dynamic mics. KOHN MUSIC STORE. The grille interior is lined with a hydrophobic woven fabric. As low as $62/mo. The KSM8 is a dynamic mic, whereas the KSM9 is a condenser. Where the magic happens! Where you hold the microphone in relation to your mouth can make a big difference in sound. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. They are just in completely different leagues. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. Inside, the microphone features a Class A, transformerless preamplifier circuit. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. Therefore, if you can afford this mic, go ahead and start digging that difference. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. Here we really missed the added proximity oomph, particularly for the guitar. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. $621.00. I prefer the KSM9 over the Beta87C. Looking at the mics published specifications, the frequency response is given as 40Hz to 16kHz, but these appear to be the limits at which the response has fallen by 10dB relative to the level at 1kHz. The Neumann KMS105 is another live handheld condenser mic. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. Sound Quality. Being music makers ourselves, we love geeking out on all things gear. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. This will add more bass to the sound, due to the proximity effect. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. The unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones: With traditional microphones, low-frequency response increases as the performer moves closer to the microphone. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. What is the output level difference between Shures Beta 87A and SM58? Enter the KSM8. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. This is like having two mics in one, and is a real bonus. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. Both mics have their pros and cons, so it can be tough to decide which one to buy. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . . The active and passive diaphragms differ in that the active (top) one has a coil attached. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. This means an even, predictable low-end as the distance from the mic changes. This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). The polar response also behaves differently with both frequency and source distance. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. Last but not least is an interchangeable polar pattern. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. shure axient combiner shure axient combiner (No Ratings Yet) . Have a question or request? The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. Our robust and effective solutions create market success. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. 95A2050 . Shure's KSM9 is a stage condenser in a traditional handheld form factor. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. Warning: Turning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. Enter the Shure KSM9 a condenser mic for the live stage. It has a very clear sound with a lot of detail, making it perfect for recording vocals. However, some singers will need more control over the way their voice sounds. Consequently, the polar pattern will have a deep rearward null, and we call that a cardioid response. Over 90 years of audio experience has contributed to making this one of the finest microphones available. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. Web site designed & maintained by PB Associates & SOS. Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic). This provides a clean and transparent sound, while generating a little more heat than other designs. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. PR35 has a lot of fans. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. Are some types more durable than other similar in the live performance category? However the KSM9 is noticeably cleaner and brighter. Its a departure from their simply constructed dynamic live mics. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. The new technology allows for cleaner, more natural, and more prevalent vocals, especially when on stage with other instruments. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. Features. Well, at 429, this mic doesnt come cheap. She will be using IEM with this mic. Interesting Essay On Sampling Rights and Reforms. An internal shock mount offers the kind of durability youd expect from a live mic. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. . Re: KSM9 vs. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. Consider helping Sound Forums keep the lights on. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. Essential is part of You can email the site owner to let them know you were blocked. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! BACK. . MaonoCaster E2 (AME2) review - production audio interface for streamers. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself!
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